Plates

Plates are organized in reverse chronological order. For additional insight, please read the artist’s statement.

HUMANSCAPE, 2021-
 
HUMANSCAPE is an ongoing series of monumental drawings of individuals the artist has encountered on the streets of NYC. Exchanges are usually brief, portions of which are recorded on the artist’s cellphone. In a museum or gallery setting, these audio files will accompany the artwork via a QR code.
 
HUMANSCAPE examines the tension between the city and the people who must endure its challenging environment, especially those individuals most underrepresented in society.
 
Each image dim: 50×50 inches
Media: Oil and ink pens on paper or canvas 
 
Click on a thumbnail to enlarge the image. 
 
The Process
 
Scholars encourage museum and gallery visits to observe original work firsthand, the way art is intended to be experienced. By treating oil and ink like graphite, the man’s face (below) appears to be a continuous tone, monochromatic image. However, the closeup of his eye at right reveals a painting composed entirely of small black markings. When optically blended, the illusion of this strictly additive process is realized.
 
31) HUMANSCAPE (process)
 
artist conception
 
 
Precipice, 2022
 
This monumental piece was inspired by a photo the artist’s son took of himself just three months before he lost his long battle with depression. Dated June 21, 2014, the picture was the last one he ever took. 
 
Dimensions: 72 x 108 inches
Media: oil pens on unstretched, pre-primed canvas
 
precipice
 
 
Threshold, 2020
 
The concept of impermanence is an essential doctrine of Buddhism. It teaches that all human existence is temporary. An enlightened moment occurred when the artist realized the transitional beauty of his father’s approaching death, an aspect of human existence that is as consequential and meaningful as birth itself.
 
Dimensions: 36 × 72 inches (triptych)
Media: graphite on 4×6″ paper sample cards 
 

threshold

 
Perpetual Dialogue, 2019
 
This project imagines the visual experience of the city through the eyes of an individual suffering from clinical depression. The inspiration for this project came from a conversation between the artist and his teenaged son who battled this disease for seven years.
 
Dimensions: 4.5 × 30 ft. 
Media: oil and ink pens on white Rives de Lin paper (350 gsm)
 
Perpetual Dialogue

 

NYC Cityscapes, 2015-

 

Dark Period, 2014-2015

 

As the Worlds Turn, 2010 

 

Influence of Korea, 2000-

 

The Early Years, 1993-1999

All images copyright © 1993-2022 Richard Masters

No reproductions permitted without the express written permission of the artist.

All rights reserved.

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